ambition
Screenshot from 'Good Will Hunting.' Image courtesy 3diassociates.wordpress.com.
It probably can’t. It may help you ponder the kind of person you hope to become, and it might even help you orient yourself towards the next few baby steps you take in this life, but decide what you want to do with your life? Not likely. None of us ever really decides ‘what to do with our lives,’ as if that were some golden tablet plucked out of the heavens. But that won’t stop us from frantically stressing.
As a recent college graduate who does indeed stress about such a question, I recently rediscovered the modern classic that is Good Will Hunting as I spent Thanksgiving anxiously deliberating my future — and realized it has a lot to offer.
Although the film is perhaps most famous for pulling heart strings, it is also a deep exploration of courage and humility. It forces viewers to question their vocational priorities and even invites reflection upon why we choose to seek, or avoid, outward success. If you haven’t seen this 1997 drama, and you’re stressed about what to do with your life, you should stop reading now and go watch it before I start dropping spoilers.
WE OWE A lot to Anne-Marie Slaughter. Last summer, the Princeton University professor’s Atlantic article “Why Women Still Can’t Have It All” kicked off an overdue, protracted national-scale debate on the difficulty of juggling the demands of professional success and committed parenting, the likes of which we haven’t had in a while. Shortly after Slaughter’s polemic hit newsstands, Marissa Mayer, just 37, was named CEO of Yahoo!, becoming the youngest CEO of a Fortune 500 company at the time and stirring controversy when she revealed that she was seven months pregnant. (Months later, she banned telecommuting companywide and was sharply criticized by some as being “anti-parent.”)
Then, Facebook COO Sheryl Sandberg got in on the action, publishing in March the ambitiously titled Lean In: Women, Work, and the Will to Lead. In the following months, it sat at the top of bestseller lists, with staggering sales triggering multiple printings. Sandberg, one of the wealthiest women in the world, donates all related profits to her newly established nonprofit, also called Lean In, encouraging women to form consciousness-raising Lean In Circles, in which they’ll discuss money and maternity.
Suddenly, there was a lot of estrogen in the air. A year into this cultural conversation, we’re still trying to make sense of what it all means.
First, a caveat. I don’t know anyone, woman or man, naïve enough to believe that any of us can have whatever “it all” entails. When Slaughter’s indignant article set off a firestorm about the impossibility of work-life balance, I was happy (as I always am) to witness a (mostly) thoughtful discussion unfold. But I was and still am miffed that anyone thinks women were sold a false bill of goods. Who was that mightily influential yet terribly mysterious person who promised us everything we ever wanted? How did we let him (it must have been a “him”) get away with spreading such a vicious lie, and why do we allow it to persist?
PAYING ATTENTION isn't easy in a world of infinite content, but there's a reason artists and prophets from Jeremiah to Arthur Miller have called upon us to sit up and listen: A drop of water or a focused breath may be as inexhaustible as a symphony or a thousand-mile trek. And one film? It could contain the world. On the Waterfront is not that film (for me it's Andrei Tarkovsky's transcendent portrait of a 15th century icon painter, Andrei Rublev), but it belongs in the canon all right. The new Criterion BluRay edition not only offers the crispest representation of the 1954 New Jersey dockyard visuals any of us have ever seen, it also illustrates the sociopolitical and creative context in a manner richer than any previously released.
So the story of a former prize fighter torn between his brother's mob ties, a blossoming love affair, his broken ambition, and desire to do the right thing emerges once again, six decades after first exploding onto the national consciousness, winning eight Oscars along the way. It's six decades and a bit more since its director, Elia Kazan, testified before the House Un-American Activities Committee, another man making a tough decision amid nearly impossible pressure: name names and survive or take the Fifth and receive exile. It's one decade after a perhaps more self-conscious Academy gave Kazan a lifetime achievement Oscar, though half of the audience chose to sit on their hands. We may ask whether or not the grace of God would have enabled any of us to do differently than Kazan, or if he perhaps had good reason to challenge the worst Soviet practices in the 1940s, or if the value of an artwork depends on the integrity of the artist. More questions besides are explored in the array of features on this On the Waterfront disc—interviews with Kazan, a documentary about the film's making, and a transcript of Kazan's defense of his testimony.