Frank Underwood

Kevin Spacey in Season 3 of Netflix’s “House of Cards.” Photo by David Giesbrech

Kevin Spacey in Season 3 of Netflix’s “House of Cards.” Photo by David Giesbrecht, courtesy of Netflix

All presidents beseech God to bless the United States of America. Many pray for divine aid for themselves or their policies. Some can only wonder at the inscrutable ways of the Almighty.

Then there’s Frank Underwood, who spits in God’s face.

Underwood is fictional, of course, the power-grabbing president and central character in the hit Netflix series House of Cards. And Underwood is a notoriously amoral — criminal, actually — practitioner of a realpolitik so brutal that nothing he does should be surprising.

Indeed, in the show’s first season, a frustrated Underwood stopped by a church and looked heavenward to speak to God, then down to address Satan. Finding no satisfying answer from either, he concluded:

“There is no solace above or below. Only us, small, solitary, striving, battling one another. I pray to myself, for myself.”

Still, it is almost jarring when, in the third and most recent season of the political thriller, Underwood — again stymied in his schemes — meets with a bishop late at night in a darkened sanctuary and engages in an extended debate on divine justice, power and love.

Greg Coates 2-17-2014
Via facebook.com/HouseofCards

Via facebook.com/HouseofCards

"Did you think I’d forgotten you? Perhaps you hoped I had. Don’t waste a breath mourning ... For those of us climbing to the top of the food chain there can be no mercy. There is but one rule. Hunt or be hunted." - Francis Underwood

So ends the Shakespearean soliloquy at the end of the first episode of House of Card's highly anticipated second season.

Underwood lives by a very clear code of ethics: Get to the top and do whatever is necessary to achieve that goal. For him, the end always justifies the means. And so, although it certainly made me wince to see what happens in Season 2's opening episode, I was left in awe at the show’s brutal honesty of what a life purely committed to power potentially looks like.

Some scenes perhaps strike us viewers as far from reality (Washington can't really be that bad, can it?!?), but other vignettes are far more plausible. Consider Underwood’s commendation of a congresswoman for making the cold, calculated decision to “do what needed to be done” by wiping out entire villages with missile strikes.

Her “ruthless pragmatism” merely makes Underwood smirk.