kermit the frog
The 1992 classic is full of wonders you can’t find anywhere else: Michael Caine starring in a children’s movie, a ghost of Christmas future that haunts me every time I consider splurging on frivolities, and a drum set at a Victorian England Christmas party. But the movie isn’t just a fun, Muppet-y take on Charles Dickens’ classic novella; it’s also a compelling screenplay with heart-warming, humorous songs that offer a radical Christmas message of “cast down the mighty … send the rich away empty.”
Dear Kermit,
You’re right. It’s not about the building.
In your newest movie, I hear them saying that you guys are irrelevant, washed up.
But I’m an Episcopal priest and for years they told me that I and other Christians were washed up and irrelevant, too.
Jim Henson spent his life, like Mr. Rogers (a Presbyterian minister), trying to say to us and our children, "Hey, you're special and you're good." How is this a bad thing?
What could Bolling and Gainor have against The Muppets?
What could the movie have done to cause so much offense?
I mean, Sam Eagle got loads of screen time.
Did Fozzie make the GOP presidential candidates the punch line to one of his high-caliber jokes?
Did Bolling Statler and Waldorf heckle Bolling and Gainor?
Were the Fox talking heads offended that the greatest love affair of modern times is between a frog and a pig?
Or perhaps they detected a tacit nod of approval to the gay community in the Muppets' cover of Queen's "Bohemian Rhapsody" even if it didn't make it into the film?
Nope. It turns out that The Muppets committed a far more serious transgression — the gravest of sins — it poked fun at corporate America.
That’s right, poor defenseless corporate America — in this case, the particularly vulnerable oil industry — faced the mighty wrath and unmitigated cruelty of felted bullies.