Lila

Ryan Hammill 9-14-2015

Image via S. Tore/Flickr

The Library of Congress’ National Book Festival featured more than 100 authors, but Pulitzer Prize-winning Marilynne Robinson (and Nobel Literature Prize dark horse — but I have my fingers crossed) was my clear highlight. She spoke for an hour with The Washington Post’s Book World editor, Ron Charles, about her newest novel Lila, public discourse on religion, and why we’ll never get to read any of her sermons.

In one of his first questions to Robinson, Charles asked why she seems to be one of the few contemporary American novelists who depict religion in a positive light.

It’s true, she said. With the proliferation of the out-of-touch pastors and abusive priests in our national literature, an observer would think that Americans are an irreligious bunch. But many Americans have a deeply-treasured friendship with a minister.

“It is part of our national character to ridicule what we value,” she said.

“And this makes it difficult to articulate what we actually value.”

Jenna Barnett 2-05-2015

MARILYNNE ROBINSON’S Lila is the love story we thought we already knew, but  didn’t. Lila takes us back to Gilead, Iowa, the same setting as Robinson’s novels Gilead and Home, describing the backstory and courtship of old Rev. Ames and the much younger Lila from a completely new point of view.

In Gilead, Ames describes his immediate, unlikely love for Lila, the hard-working wanderer. But Ames’ description of the feeling of love is more vivid than his description of the woman he loves.

The reverse is true in Lila. We learn Lila’s story through thick third-person prose. Robinson’s narration often reflects Lila’s stream of consciousness—a scattered, questioning pattern of thought, apt for a woman digesting the idea of small-town permanency after an exciting, scary, shame-filled life on the road. In the novel’s opening scene, Lila is just a small child, neglected and dying on the front steps of her house. Doll, a loving and hardened itinerant, kidnaps her just in time. It’s unclear if Doll stole or saved Lila. We can’t ever be sure. Either way, her love for Lila is fierce, and Lila comes to depend on it as they travel around the country, living off of door-to-door labor and inside jokes.

Pulitzer Prize-winning author Marilynne Robinson spoke at Union Seminary in March 2014. Photo by Kristen Scharold/RNS.

What are you afraid of? That’s what Pulitzer Prize-winning author Marilynne Robinson asks writers who shy away from writing about faith.

The beloved author has won accolades after writing so openly about belief, but it remains a subject few other writers take on.

“It’s courageous of Robinson to write about faith at a time when associations with religion are so often negative and violent,” Diane Johnson wrote in her New York Times review of Robinson’s latest book, Lila, which was released Oct. 7.

Like its predecessors Gilead (2004) and Home (2008), the new novel takes place in a 1950s Iowa town and focuses on minister John Ames and his family. The story is told from the perspective of his wife — and later, widow — Lila.

Robinson has been able reach varied audiences. A member of the liberal United Church of Christ, she is far from holding up ideals put forward by the religious right, but that hasn’t stopped conservative Christians from engaging with her writing. Earlier, she spoke with Religion News Service about guns, gay marriage, and Calvinism.

Before giving an address at Union Theological Seminary last spring, Robinson also spoke about the tensions between faith and writing. Some answers have been edited for length and clarity.

Pulitzer-prize winning author Marilynne Robinson spoke at Union Seminary in March 2014. Photo by Kristen Scharold

Pulitzer-Prize winning author Marilynne Robinson draws a wide fan base that spans lovers of serious literature, including many conservative Christians. This fall, she will release “Lila,” a follow-up to her earlier novels “Gilead” (2004) and “Home” (2008) about a 1950s-era Iowa town that won her many accolades.

Robinson’s diverse fan base was described in The American Conservative as “Christian, not Conservative.” As the author noted, Robinson is far from holding up ideals put forward by the religious right. But that doesn’t stop conservative Christians from engaging with her writing.

Before giving an address at Union Theological Seminary this spring, Robinson spoke to Religion News Service about a variety of social issues. In the interview, Robinson explained why she thinks Christians are fearful, why she loves theologian John Calvin and whether she’ll join Twitter.