Malachi
bell hooks in her living room with Phoebe Guess (Josina Guess’ youngest daughter). Berea, Kentucky, June 2018. Photo courtesy of Josina Guess.
When I met bell hooks three years ago, I had all four of my children in tow and I wasn’t sure what to say. A mutual friend arranged a short visit to her home. My heart was bursting with gratitude for all the ways hooks wove race, gender, class, faith, place, and love into her work. My mind was racing with ways to express some fraction of my appreciation and awe.
The falsehoods are so thick, the hypocrisies so outrageous, the corruption so rife, the processes so broken that you don’t know if you trust anyone anymore. The vulnerable are mocked or torn from their parents’ arms. Men in expensive suits say “Lord, Lord,” like they own air and mineral rights to the Most High. But their God, the one you thought—if but reluctantly—that you shared, is no god you recognize.
How can the pieces ever be put back together, the damage undone? What is gospel truth now?
A knot of self-righteous rage, tangled inextricably with despair, owns your gut. The accusing thought comes that you’re complicit. You’ve not done enough; you’ve saved no one. Guilt is the final straw. A voice not quite your own yet completely your own snarls: “Burn. It. Down.”
Who was Abraham Lincoln? You may get different answers depending on whom you ask. He is known as the Great Emancipator. He was a self-taught rural Kentuckyian. He was a husband and father. Also, he was a pragmatic politician. The new film, Lincoln, seeks to address this question by focusing on the political struggles for the passage of the Thirteenth Amendment to the U.S. Constitution in the last few months before Lincoln’s death.
While it may be easy to see why some people would view the film in light of contemporary politics, Lincoln’s political context and Obama’s are quite different. Facile comparisons between Lincoln and Obama do both men a disservice since they serve in completely different contexts. The Civil War is not the war against terror. The abolition of slavery is not the fiscal cliff. After a point, our attempts to connect the characters and subject matter of the film Lincoln to current events seem rather forced.