rap

Anyone who’s ever read Pope Francis’ writings knows his flair for lyricism. Take the following passage from his “Laudato Si’”:

“Through our worship of God, we are invited to embrace the world on a different plane. Water, oil, fire, and colors are taken up in all their symbolic power and incorporated in our act of praise.”

This week, the Internet decided to help the Holy Father with his lyrics, just in case he ever decides to drop a rap album (and honestly, who knows with Pope Francis? He’s full of surprises. He did release a prog-rock album recently — truly.)

The inspiration for the Internet’s collective creativity was the below picture, in which Pope Francis looks like he’s about to spit holy fire.

He’s been crowned the “new hip-hop king” and his newest album, “Anomaly,” topped iTunes and Amazon charts the day of its Sept. 9 release. He’s been invited to birthday parties for both Billy Graham and Michael Jordan and riffed on NBC’s “Tonight Show” with host Jimmy Fallon.

It’s the kind of mainstream success that has eluded most Christian rappers. Then again, some people are still trying to decide if hip-hop star Lecrae is a Christian rapper, or a rapper who happens to be Christian.

It depends who you ask, including Lecrae himself.

“God has also raised up lowly, kind of insignificant individuals to do miraculous and incredible things,” Lecrae, 34, said in an interview. “We’re the Gideons, we’re the Davids. Even Jesus himself made himself of no reputation. It’s when you can link it back to God doing it, I think that’s what he loves. He’s not a megalomaniac, he’s deserving of glory and honor, and to use individuals that demonstrate that it was him, and him alone, it accomplishes his mission and that’s success.”

On the opening night of the Yeezus Tour, multi-platinum, Grammy award-winning rapper Kanye West brought out an actor to portray Jesus during his concert in Seattle. Most of the time when I see "White Jesus" depicted, I don't get offended because I don't find it to be historically accurate. But between this and the title and theme of Kanye's last album, Yeezus, I was initially fed up. His antics were disrespectful, offensive, and just plain unnecessary.

Before I began to write this post I searched for concert footage of the event, but I stumbled upon an interview Kanye had with Wild 94, a hit music station in San Francisco. During the interview, which was done a few days after his Seattle performance, he was given the opportunity to explain his motives behind bringing out Jesus.

"We do plays all the time. People play Jesus,” West said. “You know what’s awesome about Christianity is we’re allowed to portray God. It’s a painting, it’s a sculpture, it’s a moving opera, it’s a play, it’s a message. God knows where my heart is at.”

Then came the comment that changed the entire direction of this post:

“One of the things that I really wanted to get across is that you can have a relationship with Jesus. That you can talk to Jesus. This is the way I express it.”

PORTLAND, Ore. — Hip-hop's all the rage at universities and seminaries these days.

Scholars parse its angry and often violent language. They sift out refrains of religious redemption or clever critiques of modern culture. In some traditionally African-American divinity schools, the rise and fall of response and call, old-school black preaching, is giving way to intricately rhyming rap.

Dozens of pop culture books have been written about using hip-hop to evangelize young people, to relate to their lives and bring them into the organized church. But Monica R. Miller, a visiting professor of religion and popular culture at Lewis & Clark College, warns that looking for religion in hip-hop is a risky proposition.    

"Seeing isn't believing," she says. Listeners who point to religious words in lyrics and assume their meaning, or those who spend hours trying to discern some artist's systematic theology, may be wasting their time and effort.    

Her new book, Religion and Hip Hop, argues that shared vocabulary doesn't equal shared meaning, and religious language sometimes sells rather than saves. In an interview, Miller talks about religion, hip-hop, and whether and how they overlap.

"Continuing a cycle of violence through state-sanctioned actions does not bring justice but only creates a culture of death and retribution. As a pro-life Christian, I believe the execution of Troy Davis shows a failure of moral leadership by both our country and the state of Georgia. The doubt surrounding the case of Troy Davis has served as a wake-up call to many in this country that our justice system is flawed and should not hold the power of life and death over any person. Justice should restore and heal, not destroy." -- Sojourners CEO Jim Wallis statement today, Friday Sept. 23

I am a rapper. I rap in a band called Flobots. Today is day one of our spring tour promoting our new album Survival Story, so I am writing this from a tour bus in a hotel parking lot in Albuquerque.