Gareth Higgins

It's been a fabulous few weeks for movies -- at theaters and at home. There are images in the great Russian director Andrei Tarkovsky's Solaris, recently released on Blu-ray and DVD, that are so beautiful they can evoke an aching longing for transcendent experience. This is entirely the point, for the film is about the search for meaning in a God-breathed universe. A man goes to space to investigate a mystery, discovers himself in the face of his loved ones, and ends in an embrace with the divine -- love itself. It's an astonishing work of art that repays multiple viewings, and serves as nothing less than an icon for worship. This summer's The Tree of Life, the fifth film in 40 years from the Christian humanist artist Terrence Malick, becomes something similar, and in the process makes excellent cinematic use of Brad Pitt and Sean Penn as avatars of contemporary masculinity. It's the most moving film I've seen this year.

Ah the joy of watching movies in the summer! Of course, there are a number of summer blockbusters coming out that will woo crowds to the theaters, but with the sky-high prices of theater tickets these days, nobody will fault you for wanting to stay home and kick back with a rental. If you're looking for a film that will entertain and inspire you, consider adding some of these excellent films about social change to your online queue. If you have any other films to add to this list, please contribute your favorites in the comments section below. (To read more of my film reviews, check out my monthly column in Sojourners magazine.)

Reviews of 2010 films, and looking ahead to 2011.

It's a golden age for documentaries. Michael Moore kick-started the era with crusading films such as Bowling for Columbine and Sicko, fusing serious social commentary with a protagonist who could be identified with by a wider audience than the "God's-eye view" used in magnificent PBS films by Ken Burns, such as The Civil War and Jazz. Burns seeks a resonant "objective" perspective, relating tales of U.S. history as if our lives depended on it (which of course, if you accept that those who forget are doomed to repeat, it does). Moore wants to place us at the story’s center, revealing the insecurities at the heart of American social strife as something that we could all do something about.

Moore and Burns are only the most popular and widely seen of recent documentarians. They stand alongside Errol Morris, whose treatment of the life of Robert McNamara, The Fog of War, may be the best analysis of how political rhetoric can mask horrific action; Michael Apted, whose Up series, following the lives of several people since their seventh birthdays in 1964, constitutes a social history of the past 50 years; and most of all the Maysles Brothers, who were among those who invented the form, with films such as Salesman, an astonishing vision of the corruption of commerce and religion, and Grey Gardens, which serves as a mirror image to the myths of Camelot that surround JFK's presidency. All of these films paved the way for recent works fusing factual cinema with an ethical eye.

Gareth Higgins reviews Submarine, Project Nim, and Uncle Boonmee Who Can Recall His Past Lives.

For 14 people in my homeland, northern Ireland -- a place whose divisions are so fully on the surface that we still can't agree what to call it (the reason I spell it with a small 'n') -- the clocks stopped on January 30, 1972.

It’s the end of the world for Denzel Washington in The Book of Eli, one of the legion of recent films (including one actually titled Legion) that suggest that while the earth ma