This Month's Cover
Magazine

Sojourners Magazine: May 2023

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In a post-Roe world, simple answers aren't enough.

Features

While many lawmakers deny the intricacies of reproductive health, most people in the U.S. hold more nuanced views.

by
Liz Cooledge Jenkins
Magazine
Features

To affirm the value of Black life requires the possibility for Black life beyond survival: life that is rich and creative, flourishing.

by
Vincent Lloyd

An interview with translator Carmen Acevedo Butcher on the relatable monk who meets God over an omelet.

by
Betsy Shirley

Voices

Voices
Mobilizing Hope

The church could be a game changer in ensuring that every child in the U.S. is able to get the best start in life.

Voices
From The Editors

Despite the seemingly insurmountable reality of racial injustice, we must remember that God is love.

by The Editors
Voices
Commentary

A new initiative from the Biden administration could rejuvenate our refugee resettlement program.

by
Danilo Zak

It's long past time to radically disrupt the systems that stifle women and our democracy.

by
Brittini L. Palmer
Voices
Columns

In a post-Roe world, we need to imagine easier access and greater services for pregnancy and childbirth — no strings attached. 

by
Rose Marie Berger

It remains vital for clergy and congregants to foster church spaces that practice a form of healing justice.

by
José Humphreys III
Voices
Eyewitness

Atlanta's police department plans to construct a massive training facility for its force by razing a forest, and Georgians ain't having it.

by
Micah Herskind

Vision

Vision
Culture
An illustration of Jesus sitting on a globus cruciger as he raises his hand to text that reads, "Glory to God for all things." One version depicts the text in the colors of the LGBT Pride flag and the other the colors of the transgender flag.

Art of Marza blends Orthodox iconography and street art to bring hope and beauty to public spaces.

by
Cassidy Klein
A picture from the TV show ‘Dead to Me’ of Jen (Christina Applegate) and Judy (Linda Cardellini) in black dresses as they stand side by side with arms locked.

Will this Netflix drama rank among the best TV comedies of all time?

by
Da’Shawn Mosley
The cover for the music album ‘And in the Darkness, Hearts Aglow’ by Weyes Blood. The artist, Natalie Mering, has long hair and looks to the side. She wears a low-cut dress with her upper chest exposed. A warm light glows from within where her heart is.

And in the Darkness, Hearts Aglow reminds us that the answer to empire is never more empire.

by
Aarik Danielsen
Vision
Books
Kayije Kagame plays as Rama in the film ‘Saint Omer.’ She is a Black woman with box braids wearing a creased linen olive-green v-neck dress. She sits in the pews of a court with a crowd of people blurred in the background.

Three culture recommendations from our editors.

by
The Editors
A black-and-white lithograph of rippling ocean waves, meticulously drawn by Vija Celmins so as to appear like a black-and-white photo.

Vija Celmins' lithographs inspire us to live out a posture poised for awe.

by
Sarah James

Daring Adventures is a beacon of hope for transgender and nonbinary youth — and their families.

by
Laurel A. Dykstra
Vision
Poetry

A poem.

by
Nate Castellitto
Vision
Living The Word

May reflections on the Revised Common Lectionary, Cycle A

by
Natalie Wigg-Stevenson
Vision
H'rumphs

I'm sorry; I'm afraid Bing can't do that.

by
Ed Spivey Jr.