The Sound of Resistance

Making art, not destroying it, as a climate activism strategy.
Stephanie Keith / Getty Images

NONVIOLENT DIRECT ACTION is a relatively new invention — though prefigured by the Cross, it was Gandhi, Rev. Martin Luther King Jr., and a million others whose names we don’t know or remember who introduced this technique to us over the course of the 20th century. There’s no handbook for how it’s done, and no West Point equivalent — which means that we largely proceed by trial and error as we try to move the conscience of the world. We make it up as we go along. Which is fine, but you must be honest about what works.

Over the last year, one tactic that climate activists have tried is attacking cultural works — iconic paintings, right up to the “Mona Lisa,” and great shrines of humanity, most notably Stonehenge. They’ve been responsible, figuring out ways to do minimal damage, and perhaps such methods were worth a try: When you’re losing, you throw Hail Marys. And the people who carried out these actions clearly should not be subject to ridiculously punitive sentences.

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