movie
When evangelical politicians pronounce on topics like the origins of the universe, the results are almost always awful -- embarrassing, infuriating, unwatchable. When a reclusive, visionary filmmaker like Terrence Malick treats the same subject matter, as he does in his new movie The Tree of Life, one is transported. Which is a useful reminder that the mysteries of creation are best grappled with through art. The book of Genesis, after all, begins not with scientific description or theological argument, but with a poem.
Eat Pray Love the movie has the makings of a summer hit, with Julia Roberts as its star and Elizabeth Gilbert's bestselling book as its source material.
The book was something of a phenomenon when it was published in 2006: instantly popular and penned by an accomplished writer (a finalist for the National Book Award in 2002) who was immensely likeable on the talk-show circuit.
[Editor's Note: This week we will have a series of reviews on films with a focus on immigration. Check back each day for a new film review, and visit www.faithandimmigration.org for more information]
I've been reading Paul Harding's debut novel, Tinkers, which was this year's surprise Pulitzer Prize winner. It's a modest tome -- slim of build, light in the hand.
After the synchroblog last week and all the discussions surrounding the question of if the emerging church is too white, I've had a number of interesting discussions regarding the ways in which the voice of the subjugated other (subaltern) finds a space
Hollywood isn't real life, but when real life (mine and the lives of the actors) and Hollywood converge it is great fodder for thinking and conversation. Peter and I can't stop talking about a recent date night movie, Up in the Air, starring Vera Farmiga and George Clooney.