Lena Horne is gone, but she remains a bright shining light.

About a year ago, when we were writing our song "White Flag Warrior," my friend (and fellow frontman) Stephen and I had quite a conversation. We talked about Leonard Cohen's song "Story of Isaac" and about Kierkegaard's multiple interpretations of Genesis 22, about Malcolm X challenging MLK Jr.

AT THE TURN of the millennium, I (Soong-Chan) began hearing a lot about the “emerging church.” It seemed that everywhere I turned somebody was talking about the emerging church. A clear definition of the term was elusive (see “What is the Emerging Church?” by Julie Clawson, below), but the emerging church seemed to reflect ministry and theology rising out of the generation after the baby boomers. In particular, the emerging church was Western Christianity’s attempt to navigate through the context of an emerging postmodern culture.

At the time the emerging church was coming into vogue, I was pastoring a multi-ethnic, urban church plant in the Boston area. It seemed that every brochure for nearly every pastors’ conference I received featured the emerging church. As I began to attend some of those conferences, I noticed that every single speaker who claimed to represent the emerging church was a white male. A perception was forming that this was a movement and conversation occurring only in the white community.
 In terms of the public face of the emerging church, white males dominated.
On one occasion, I was at an emerging church conference and was told directly that non-whites were not of any significance in the emerging church. Granted, this was one specific instance, but it led to the sense that the emerging church was not a welcoming place for ethnic minorities. At another conference, on the future of the church, one of the speakers invited up a blond-haired, 29-year-old, white male, replete with cool glasses and a goatee, and pronounced him the face of the emerging church. “This guy is a great representative of the future of American Christianity.” I cringed. In terms of the public face of the emerging church, white males dominated. It seemed like the same old, same old. As per the lyrics by The Who: “Meet the new boss, same as the old boss.”

After the synchroblog last week and all the discussions surrounding the question of if the emerging church is too white, I've had a number of interesting discussions regarding the ways in which the voice of the subjugated other (subaltern) finds a space

[Read more of this blog conversation in response to the Sojourners magazine article "