Forgiveness

There’s a moment in The Drama that has stuck with me. In the midst of an existential spiral about his fiancée Emma’s (Zendaya) past,  Charlie (Robert Pattinson) talks with some less-than-understanding friends and tries to somehow contextualize and produce empathy for her actions. He latches onto something he heard in passing about Emma’s childhood: that she had a neighbor who died in a car accident. The way that he retells the story, though, makes it sound as though this event was a traumatic origin story that totally reshaped her young psyche—even enough to explain her turn toward fantasies of violence later in childhood.

As Charlie retells the story, images flash on the screen imagining different versions of the event; the car crashing into a tree in a neighborhood; young Emma watching the crash firsthand; Emma grieving alone with no one to help her process it.

IN 2017, SYLVESTER JACKSON joined a forgiveness therapy group simply to get out of his cell in a maximum-security prison—he might not have participated otherwise.

This happenstance involvement profoundly impacted the course of his life. Now living in Milwaukee, Wis., he leads community members whose lives have been impacted by the criminal justice system through the same course.

“IN THE BEGINNING was the Word and the Word was with God and the Word was God.” I had no idea what the words I recited in front of the church meant. My Mary Janes hurt my feet and my dress was so tight it left angry red welts in my armpits. Mom looked so proud; Dad, too, sitting in the front row, smiling. I didn’t want to disappoint them, especially here.

As far back as I can remember, my parents started churches in our suburban Milwaukee home. They were nondenominational, Independent, Calvinist, Fundamentalist Baptist. Initially, just a few families gathered, with Dad leading the service in our living room. Before long, our house overflowed, and the adults started raising money to construct a church. Once the building was complete, dissension began and my parents would leave, claiming the church was now too liberal. They disapproved of so many things: changes to the prayer book, Black people joining their all-white communities, homosexuality, women in ministry, the Equal Rights Amendment, anyone who questioned the literal translation of the Bible, adding rhythm to traditional hymns, accepting Catholics as fellow Christians. We were the “Chosen.” Predestined and proud of it.

My parents were also active members of The John Birch Society (JBS), the extreme right political organization, founded in 1958, which is known to be racist and antisemitic. They hosted monthly JBS chapter meetings in our living room. It was hard to know which belief system drove them more: the conservative politics of the JBS or the fundamentalist Christian fear of the rise of the Antichrist. Either way, to them the possibility of a communist invasion was a real threat.

They hired a handyman to build a hidey-hole in the back of the closet in our basement, where our whole family could hunker down if communists invaded the United States. Because we were Christians, educated, and part of the ruling class, Mom told us our family would be among the first to be imprisoned, then executed. Most of my nightmares as a child involved communists finding us in our hiding place.

I grew up listening to Mom and her friends, drinking coffee around our kitchen table while they animatedly discussed which group of people was ruining our country and if former President Dwight D. Eisenhower was really a communist agent.

I never quite understood what all the fuss was about. All I knew was that I adored listening to my Dad talk about politics and preach. I loved memorizing the verses he gave me about fleeing evil and avoiding temptation. I believed the words he spoke to be true. For me, he embodied the Heavenly Father he taught me about.

I didn’t feel the same about my mother. After every church service, whenever I’d overhear her describe someone as a person who “loved the Lord,” the hair on the back of my neck would stand straight up. If she caught me rolling my eyes as she quoted scriptures, I knew I had it coming. As soon as we got in the car, she’d slap my face.

My mother hitting me wasn’t unusual. Quite often after one of the regular beatings she gave me, she’d make me kneel in front of her, as she reverently prayed, eyes closed, “Please forgive Diana, Lord. She doesn’t know how to respect or obey me.” Never knowing when she’d strike, I was constantly on guard.

I believed in God as a child and deeply felt Jesus was my friend, responding to an altar call when I was 6. But Mom smugly told me Jesus could never love a naughty, backsliding little girl like me. Because of that, I was never sure my salvation stuck, so I made at least half a dozen more trips down the aisle. My teenage years and early 20s did little to reassure me of God’s love. I didn’t want to go to hell. It seemed like a scary place. But when I was 25, hell found me anyway.

I AM CONVINCED that 20 years from now, Dead to Me will finally get the praise it’s due, ending up in some culture magazine’s ranking of the best TV comedies of all time. (I’m giving you a head start, Sojourners: Beat Rolling Stone to the punch.)

Dead to Me, a Netflix show about a woman and her children grieving her husband after he is killed in a hit-and-run, is sort of what you would get if you merged another destined TV classic from Netflix — Grace and Frankie — with the Joan Didion memoir The Year of Magical Thinking and then sprinkled in a police investigation. The show is laugh-so-hard-you-cry funny and yet is driven by situations that would probably make you weep if you paused to think.

I barely had time to do that, though, because Dead to Me is a twisty thriller centered around a hilarious opposites-attract friendship between the widowed protagonist Jen (Christina Applegate) and a jolly woman she meets at group grief therapy named Judy (Linda Cardellini). Throw in some great meditations on friendship, forgiveness, motherhood, absence, and why everything is so screwed up if the whole world is in God’s hands; a Christian youth dance troupe; and an astounding performance by the actor James Marsden, and you have one of the best TV shows ever.

First Presbyterian, a congregation in the Presbyterian Church (USA) denomination, is one of many across the country raising money through the nonprofit RIP Medical Debt to buy and forgive medical debts owed by people who can’t afford to pay them back. The church hopes to raise $50,000 as one of two mission components to its capital campaign — enough to forgive $5 million in medical debt. 

The film also gets right Rogers’ deep belief in God and Junod’s persistent doubt. Junod was raised a Catholic but fell away from the church. For a while he attended a Presbyterian church, but now does not. He is still interested in the spiritual, he says, and a lot of that stems from his relationship with Rogers. This summer, as publicity for the movie was heating up, Junod recovered 70 emails he exchanged with Rogers from an old laptop, many of them about theology.

“WORKING SHOULDER to shoulder, after sharing our struggles and tears, is forging a powerful bond,” said the woman laboring at my side. “Death once swept our land, but life has its own momentum.” When the fieldwork was done, we built a stable for Theresie, who had shared her hut with a cow. The young people helped, hauling poles and erecting the walls and roof.

ON A BALMY SUMMER afternoon in July, I rang the bell at Jean Vanier’s sky-blue gate in Trosly-Breuil, France. Vanier, the founder of L’Arche, an international federation of communities of people with and without developmental disabilities, is central to a new documentary film, Summer in the Forest. I was there to interview him about the film and as research for a play I’m helping to write for the 50th anniversary of L’Arche Daybreak community, near Toronto.

As the gate opened, Vanier, wearing his signature navy blue jacket, greeted me with the warmest presence I have ever felt, saying, “All the way from Daybreak you have come to visit me!” I replied sheepishly, “Yes, to finally meet the man who changed my life.”

My salutation was not hyperbole—Vanier’s gift, a vision of communities where people live in a spirit of mutual learning, dignity, and care, has touched and changed the lives of thousands of people around the globe. Though I’d come for professional reasons, it also felt like a pilgrimage to seek Vanier’s wisdom in the place where it all began. He ushered me into his small office and living room to chat.

In 1964, while Vanier was living in Trosly-Breuil, he visited a psychiatric hospital near Paris. He saw men there subjected to violence, locked up all day, and feared by the public. He was moved with a compassion that he couldn’t totally understand at the time. But as Vanier told me, “We all have, as human beings, a design that teaches us to reach out to others, and not only to serve ourselves. If we listen to this inner design, this inner voice, it will lead us always to do what is right.” With little training and no formal plan, Vanier bought a dilapidated house and took three of the men out of the institution to live with him in the village.

The first night didn’t go so well, as they could not find how the electricity worked and one of the men became so frightened and violent, smashing windows, that he had to return to the institution the next day. Two of the men, Raphaël Simi and Philippe Seux, lived with Vanier for the rest of their lives. Vanier named their home “L’Arche,” French for “The Ark”—it became the first of what are now more than 150 L’Arche communities in 37 countries.